Fumi Amano

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GEEX Talks: Fumi Amano | Nov. 30, 2020

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Artist Statement

As a Japanese woman living in the United States, I often struggle with my attempts to communicate. Not only is English my second language, but also the stereotypes of Asian women make it difficult for me to build healthy relationships. I feel the impact of being minoritized in America, where assumptions about Asians are both superficial and hurtful. At the same time, Asian ideals of womanhood and beauty have been affected by Western culture: the resulting twisted idea of beauty is internalized by Asian women, eating away at our identity and self-worth. 

I make sculptures using recycled materials. Shapes of objects are constructed in a distorted manner to reflect the misunderstanding between people. I am trying to expose the absurdities of a manipulative social structure. Many of my sculptures have received awards by major institutions such as the Jule Collins Smith Art Museum in Alabama and Contemporary Craft in Pittsburgh. 

I have been encouraged to speak louder as an Asian artist since the racial equity movement has grown recently. Through my art, I would like to express the reality of being minoritized in this country. I challenge the tradition of the “silent Asian woman” to reveal the complexities that lie underneath the guise of the superficial “dream” of being an Asian woman.

Portrait of Fumi Amano by Samira Shobeiri
Portrait by Samira Shobeiri

Bio

Fumi Amano was born in Aichi, Japan. She learned about glass making as a traditional Japanese craft and worked diligently to master all techniques presented to her. In order to learn more about glass and expand her horizons, she moved to the United States in 2013.

During her graduate program at Virginia Commonwealth University, she faced many difficulties as both a foreigner and as a Japanese woman living in the United States. She was frustrated by the failure of the communication and prejudice towards Asian women by people. This frustration ignited in her a passion to make various forms of art, such as sculpture and performance art, to express a feeling she cannot explain in words. “Glass is as if there is an invisible filter between people,” Fumi says. “People can see each other through the glass, but they cannot touch each other directly.” Through art, Fumi is continuously expressing the unsuccessful attempts to develop true bonds that bridge the gap between people.

After she received her Master of Fine Arts degree, she exhibited her artwork in various museums and galleries such as Bellevue Art Museum in Bellevue, WA, and the Storefronts program supported by Shunpike and Antenna Gallery in New Orleans, LA. Fumi received 2nd prize in the “Out of the Box” outdoor sculpture exhibition in 2017 at Jule Collins Smith Museum of Fine Art in Auburn, AL.

In 2018, after her art journey throughout the United States, Fumi returned to settle in Seattle, a place that many well-known glass artists call their home. Now she is pursuing her goal of expressing a feeling as an Asian woman in various forms of art. With her artwork, she is able to communicate with her audience. Through this, she is able to speak with others, beyond, above, and below language’s normal spectrum.

Links

fumiamano.com

Gallery

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